The Chicago soul classic that became hip-hop's foundational bridge between soul and rap

Syl Johnson - "Different Strokes" (1967)
The original track containing the legendary 6.0-second drum break
Break occurs at 0:30 - 0:36
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Syl Johnson recorded "Different Strokes" in 1967 for the Chicago-based Twinight Records label. Johnson was a blues and soul singer from Holly Springs, Mississippi, and the track is a raw, gritty piece of Chicago soul — all distorted guitar, punchy horns, and a driving drum groove. The song's title and hook — "different strokes for different folks" — would become a popular catchphrase.
Wu-Tang Clan's RZA built the instrumental for "Shame on a Nigga" around it, and that single usage alone cemented the track's place in hip-hop canon. The track's raw, lo-fi quality — a product of small-budget recording conditions — gave it an aesthetic that aligned perfectly with the gritty production style of 1990s East Coast rap.
Johnson was initially hostile to sampling, filing lawsuits against several hip-hop artists. He later came to terms with sampling culture and reportedly earned significant royalties from the hundreds of tracks that interpolated his work.
Public Enemy
"Fight the Power"
Fear of a Black Planet
Wu-Tang Clan
"Shame on a Nigga"
Enter the Wu-Tang (36 Chambers)
Kool G Rap & DJ Polo
"Talk Like Sex"
Road to the Riches
De La Soul
"Various Tracks"
3 Feet High and Rising
MC Hammer
"Various Productions"
Please Hammer Don't Hurt 'Em
Geto Boys
"Various Tracks"
We Can't Be Stopped
Boogie Down Productions
"Various Tracks"
Criminal Minded